Band neo-punk asal Bandung Fuzzy, I kembali dengan tiga single baru mereka setelah mengalami perubahan gaya musik yang cukup signifikan dan rilisnya EP mereka “Transit” di tahun 2019 lalu. Minggu lalu editor Claudia Siregar mendapatkan kesempatan untuk mewawancarai Fuzzy, I tentang proses kreatif, single baru mereka, evolusi musik, near death experience, dan banyak hal seru lainnya.
Denisa is an eclectic voice in the Indonesian independent music scene. This could be easily proven by her recent EP release, Crowning—even by the start of her first song, you can already feel the all-encompassing power of her music. Her work is hard to pin down, if you’re still holding to the age-old assumption that music is something that has to be categorized. Denisa has had an eventful 2019, and is a musician to look out for in the next year.
Christabel Annora and her work are refusing to conform to a single artistic discipline. She is a singer, songwriter, and illustrator that hails from Malang, East Java, and is using her art to convey the versatility of her experience. Her go-to musical instrument is the piano, and as exhibited in her sophomore album, Dari Jauh, released last October, she can make such a simple instrument shine in her own way.
2019 has been a big year for Baskara Putra. After years of getting his hands dirty in rock music as the main vocalist for .Feast, he kickstarted his solo project with the moniker Hindia. After releasing a string of singles, Baskara released his first album under Hindia, Menari Dengan Bayangan, last November, and since then it rose to numerous critical acclaim, charting at numerous year-end lists by multiple sources I talked to Baskara about fame, community, technology, and the role of music as evangelism.
Bilal Indrajaya is not your people-pleasing songwriter; the musician who hails from Tangerang Selatan writes music that is far from anthems or battle cries. Instead, he writes deeply personal songs that hits close to his listeners’ home. Bilal Indrajaya not only shines through his musicality, but we can hear from his work that he also respects the musicians that came before him and memorializes them in a way that is also uniquely himself.
There’s no denying the effect of citypop to music fans of the internet. Citypop is growing in Indonesia, but no one does it like Aya Anjani. In her most recent EP, “Tak Ada Yang Hilang,” Aya Anjani takes citypop into new heights—transforming its Japanese roots with lyrics in Indonesian, while writing deeply personal lyrics that speaks to her listeners.
On October 27th, Terima Kost Putri (TKP The Band) held their very first concert, “Konser Metafase” in celebration of the release of their debut EP. The Speedofsound Mag team had the chance to interview the band on their creative processes, their thoughts on social issues, and a lot of other things.