There’s no denying the effect of citypop to music fans of the internet. Citypop is growing in Indonesia, but no one does it like Aya Anjani. In her most recent EP, “Tak Ada Yang Hilang,” Aya Anjani takes citypop into new heights—transforming its Japanese roots with lyrics in Indonesian, while writing deeply personal lyrics that speaks to her listeners.
Isyana Sarasvati is back with her third album, LEXICON. After her first two releases flirting with Indonesian pop music charts and radio hit-style pop, she unleashes her new sound in this album—or, rather than her new sound, she’s coming back to her roots. Her classical music prowess finally holds center stage in LEXICON, while at the same time, exploring and deconstructing genres and other elements we might not see Sarasvati play with through the public eye.
Hindia’s long-awaited debut album is finally here. After a string of pre-released singles, Baskara Putra explores his own mind with his latest release. Menari Dengan Bayangan is definitely a close look of Hindia as an artist—an indie pop/rock music album version of the self-portrait painting—conveyed artistically, musically, and lyrically. Baskara Putra mixes the personal and the public in this debut record.
In Pilu Membiru Experience, Kunto Aji, together with Adjie Santosoputro, invites three fans to talk to Santosoputro about their stories of loss and healing, which ends with Kunto Aji’s performance of “Pilu Membiru”—a song from Kunto Aji’s sophomore album Mantra Mantra. What results is an honest, brave work of art that gives closure to its subjects and listeners.
The Jakarta-based duo Lunar Motel returned with another single titled “Mind Reflection”, with a brand new theme surrounding self contemplation.
“Soto Ayam Bu Karti” has been in our staff members’ conversations for the past few weeks. This absurd short parody by Mamang Kesbor references the style of trap hip hop artists (most obviously Playboi Carti) to tell a story about a chicken soto street food stall. Speed of Sound Mag’s editors and staff writers collaborated on an editorial reviewing the song and the extent of which “Soto Ayam Bu Karti” impacts Indonesian culture, however niche it could be.
Jakarta-based folk-country singer Farrel Savero breaks into the local music scene with his single “It Seems Like God Is Good To Me”. Previously known as the bassist of the band Blue Cirrus, Savero is now inclined to embark on a solo career.